Shall I Wear The Bottoms Of My Trousers Rolled? I shall Wear White Flannel Trousers And Walk Upon The Beach.

"To get back to my youth I would do anything in the world, except exercise, get up early, or be respectable." - Oscar Wilde

"The older we get, the fewer things seem worth waiting in line for." - Will Rogers

"We must recognize that, as we grow older, we become like old cars – more and more repairs and replacements are necessary." - C.S. Lewis

"Old age comes at a bad time." – San Banducci “

"Inside every older person is a younger person wondering what happened." - Jennifer Yane

"Old age is like a plane flying through a storm. Once you are aboard there is nothing you can do about it." - Golda Meir

"I’m so old that my blood type is discontinued." - Bill Dane

"The older I get, the more clearly I remember things that never happened. - Mark Twain

"Wisdom doesn’t necessarily come with age. Sometimes, age just shows up all by itself." - Tom Wilson

"Always be nice to your children because they are the ones who will choose your retirement home."- Phyllis Diller

"I don’t plan to grow old gracefully. I plan to have face-lifts until my ears meet." - Rita Rudner

"I’m at that age where my back goes out more than I do." - Phyllis Diller

"Nice to be here? At my age it’s nice to be anywhere." – George Burns

"Don't let aging get you down. It's too hard to get back up." - John Wagner

"First you forget names, then you forget faces, then you forget to pull your zipper up, then you forget to pull your zipper down." - Leo Rosenberg

“Aging seems to be the only available way to live a long life.” - Kitty O’Neill Collins

“Old people shouldn’t eat health foods. They need all the preservatives they can get.” – Robert Orben

"Middle age is when you’re sitting at home on a Saturday night and the telephone rings and you hope it isn’t for you." - Ogden Nash

"It’s important to have a twinkle in your wrinkle." – Unknown

" At my age, flowers scare me." - George Burns

“I have successfully completed the thirty-year transition from wanting to stay up late to just wanting to go to bed." – Unknown

"Nobody expects to trust his body much after the age of fifty." - Alexander Hamilton

"The years between 50 and 70 are the hardest. You are always being asked to do things, and yet you are not decrepit enough to turn them down." - T.S. Elliot

"At fifty, everyone has the face he deserves." - George Orwell

"At age 20, we worry about what others think of us… at age 40, we don’t care what they think of us… at age 60, we discover they haven’t been thinking of us at all." - Ann Landers

"When I was young, I was called a rugged individualist. When I was in my fifties, I was considered eccentric. Here I am doing and saying the same things I did then, and I’m labeled senile." - George Burns

 "I complain that the years fly past, but then I look in a mirror and see that very few of them actually got past." - Robert Brault

 "The important thing to remember is that I’m probably going to forget." – Unknown

 "As you get older three things happen. The first is your memory goes, and I can't remember the other two." - Sir Norman Wisdom

 “It’s paradoxical that the idea of living a long life appeals to everyone, but the idea of getting old doesn’t appeal to anyone.” - Andy Rooney

 “Birthdays are good for you. Statistics show that the people who have the most live the longest.” - Larry Lorenzon

 “The older I get, the better I used to be.” – Lee Trevino

 "You know you’re getting old when you can pinch an inch on your forehead." - John Mendoza

 "I was thinking about how people seem to read the bible a lot more as they get older, and then it dawned on me—they’re cramming for their final exam."- George Carlin

 "I don’t feel old. I don’t feel anything until noon. Then it’s time for my nap." - Bob Hope

 "I’m 59 and people call me middle-aged. How many 118-year-old men do you know?"- Barry Cryer

 "All men are the same age." - Dorothy Parker

 "I don't do alcohol anymore—I get the same effect just standing up fast." – Anonymous

 “By the time you’re 80 years old you’ve learned everything. You only have to remember it.” - George Burns

 “Old age isn’t so bad when you consider the alternative.” – Maurice Chevalier

 "Getting older. I used to be able to run a 4-minute mile, bench press 380 pounds, and tell the truth." - Conan O’Brien

 "I have reached an age when, if someone tells me to wear socks, I don’t have to." - Albert Einstein

 "Grandchildren don’t make a man feel old, it’s the knowledge that he’s married to a grandmother that does." - J. Norman Collie

 "You know you are getting old when everything hurts, and what doesn’t hurt doesn’t work." - Hy Gardner

 "When your friends begin to flatter you on how young you look, it’s a sure sign you’re getting old." - Mark Twain

 "You know you are getting old when everything either dries up or leaks." - Joel Plaskett

 "There’s one advantage to being 102, there’s no peer pressure." - Dennis Wolfberg

 "I've never known a person who lives to be 110 who is remarkable for anything else." —Josh Billings

 "At my age ‘getting lucky’ means walking into a room and remembering what I came in for." – Unknown

 "Old age is when you resent the swimsuit issue of Sports Illustrated because there are fewer articles to read." – George Burns

 "The idea is to die young as late as possible." - Ashley Montagu

 “You know you’re getting old when you stoop to tie your shoelaces and wonder what else you could do while you’re down there.” - George Burns

 "People ask me what I’d most appreciate getting for my eighty-seventh birthday. I tell them, a paternity suit." - George Burns

 "Time may be a great healer, but it's a lousy beautician." - Anonymous

The Stigler-Brown Incident

"If I ever see or hear of you shooting at a man in a parachute, I will shoot you myself."

Those were the words that came to Franz Stigler's mind when he saw the badly damaged B-17 that was somehow still flying. To him, that plane limping back to England with its wounded crew was the same as a parachute. This story was kept classified for the remainder of the war and only came to light when the two pilots managed to find each other again in 1990.

How To Think About Vladimir Putin

Imprimis

How to Think About Vladimir Putin

March 2017 • Volume 46, Number 3 • 

Christopher Caldwell
Senior Fellow, The Claremont Institute
Author, The Age of Entitlement: America Since the Sixties


Christopher Caldwell is a senior fellow at the Claremont Institute, a contributing editor at the Claremont Review of Books, and a contributing opinion writer for The New York Times. A graduate of Harvard College, he has been a senior editor at the Weekly Standard and a columnist for the Financial Times. He is the author of Reflections on the Revolution in Europe: Immigration, Islam, and the West and The Age of Entitlement: America Since the Sixties.

Vladimir Putin is a powerful ideological symbol and a highly effective ideological litmus test. He is a hero to populist conservatives around the world and anathema to progressives. I don’t want to compare him to our own president, but if you know enough about what a given American thinks of Putin, you can probably tell what he thinks of Donald Trump.

Let me stress at the outset that this is not going to be a talk about what to think about Putin, which is something you are all capable of making up your minds on, but rather how to think about him. And on this, there is one basic truth to remember, although it is often forgotten. Our globalist leaders may have deprecated sovereignty since the end of the Cold War, but that does not mean it has ceased for an instant to be the primary subject of politics.

Vladimir Vladimirovich is not the president of a feminist NGO. He is not a transgender-rights activist. He is not an ombudsman appointed by the United Nations to make and deliver slide shows about green energy. He is the elected leader of Russia—a rugged, relatively poor, militarily powerful country that in recent years has been frequently humiliated, robbed, and misled. His job has been to protect his country’s prerogatives and its sovereignty in an international system that seeks to erode sovereignty in general and views Russia’s sovereignty in particular as a threat.

By American standards, Putin’s respect for the democratic process has been fitful at best. He has cracked down on peaceful demonstrations. Political opponents have been arrested and jailed throughout his rule. Some have even been murdered—Anna Politkovskaya, the crusading Chechnya correspondent shot in her apartment building in Moscow in 2006; Alexander Litvinenko, the spy poisoned with polonium-210 in London months later; the activist Boris Nemtsov, shot on a bridge in Moscow in early 2015. While the evidence connecting Putin’s own circle to the killings is circumstantial, it merits scrutiny.

Yet if we were to use traditional measures for understanding leaders, which involve the defense of borders and national flourishing, Putin would count as the pre-eminent statesman of our time. On the world stage, who can vie with him? Only perhaps Recep Tayyip Erdoğan of Turkey.

When Putin took power in the winter of 1999-2000, his country was defenseless. It was bankrupt. It was being carved up by its new kleptocratic elites, in collusion with its old imperial rivals, the Americans. Putin changed that. In the first decade of this century, he did what Kemal Atatürk had done in Turkey in the 1920s. Out of a crumbling empire, he rescued a nation-state, and gave it coherence and purpose. He disciplined his country’s plutocrats. He restored its military strength. And he refused, with ever blunter rhetoric, to accept for Russia a subservient role in an American-run world system drawn up by foreign politicians and business leaders. His voters credit him with having saved his country.

***

Why are American intellectuals such ideologues when they talk about the “international system”? Probably because American intellectuals devised that system, and because they assume there can never be legitimate historic reasons why a politician would arise in opposition to it. They denied such reasons for the rise of Rodrigo Duterte in the Philippines. They do the same with Donald Trump. And they have done it with Putin. They assume he rose out of the KGB with the sole purpose of embodying an evil for our righteous leaders to stamp out.

Putin did not come out of nowhere. Russian people not only tolerate him, they revere him. You can get a better idea of why he has ruled for 17 years if you remember that, within a few years of Communism’s fall, average life expectancy in Russia had fallen below that of Bangladesh. That is an ignominy that falls on Boris Yeltsin. Yeltsin’s reckless opportunism made him an indispensable foe of Communism in the late 1980s. But it made him an inadequate founding father for a modern state. Aleksandr Solzhenitsyn, whose writings about Communism give him some claim to be considered the greatest man of the twentieth century, believed the post-Communist leaders had made the country even worse. In the year 2000 Solzhenitsyn wrote: “As a result of the Yeltsin era, all the fundamental sectors of our political, economic, cultural, and moral life have been destroyed or looted. Will we continue looting and destroying Russia until nothing is left?” That was the year Putin came to power. He was the answer to Solzhenitsyn’s question.

There are two things Putin did that cemented the loyalty of Solzhenitsyn and other Russians—he restrained the billionaires who were looting the country, and he restored Russia’s standing abroad. Let us take them in turn.

Russia retains elements of a kleptocracy based on oligarchic control of natural resources. But we must remember that Putin inherited that kleptocracy. He did not found it. The transfer of Russia’s natural resources into the hands of KGB-connected Communists, who called themselves businessmen, was a tragic moment for Russia. It was also a shameful one for the West. Western political scientists provided the theft with ideological cover, presenting it as a “transition to capitalism.” Western corporations, including banks, provided the financing.

Let me stress the point. The oligarchs who turned Russia into an armed plutocracy within half a decade of the downfall in 1991 of Communism called themselves capitalists. But they were mostly men who had been groomed as the next generation of Communist nomenklatura­—people like Boris Berezovsky, Vladimir Gusinsky, and Mikhail Khodorkovsky. They were the people who understood the scope and nature of state assets, and they controlled the privatization programs. They had access to Western financing and they were willing to use violence and intimidation. So they took power just as they had planned to back when they were in Communist cadre school—but now as owners, not as bureaucrats. Since the state had owned everything under Communism, this was quite a payout. Yeltsin’s reign was built on these billionaires’ fortunes, and vice-versa.

Khodorkovsky has recently become a symbol of Putin’s misrule, because Putin jailed him for ten years. Khodorkovsky’s trial certainly didn’t meet Western standards. But Khodorkovsky’s was among the most obscene privatizations of all. In his recent biography of Putin, Steven Lee Myers, the former Moscow correspondent for the New York Times, calculates that Khodorkovsky and fellow investors paid $150 million in the 1990s for the main production unit of the oil company Yukos, which came to be valued at about $20 billion by 2004. In other words, they acquired a share of the essential commodity of Russia—its oil—for less than one percent of its value. Putin came to call these people “state-appointed billionaires.” He saw them as a conduit for looting Russia, and sought to restore to the country what had been stolen from it. He also saw that Russia needed to reclaim control of its vast reserves of oil and gas, on which much of Europe depended, because that was the only geopolitical lever it had left.

The other thing Putin did was restore the country’s position abroad. He arrived in power a decade after his country had suffered a Vietnam-like defeat in Afghanistan. Following that defeat, it had failed to halt a bloody Islamist uprising in Chechnya. And worst of all, it had been humiliated by the United States and NATO in the Serbian war of 1999, when the Clinton administration backed a nationalist and Islamist independence movement in Kosovo. This was the last war in which the United States would fight on the same side as Osama Bin Laden, and the U.S. used the opportunity to show Russia its lowly place in the international order, treating it as a nuisance and an afterthought. Putin became president a half a year after Yeltsin was maneuvered into allowing the dismemberment of Russia’s ally, Serbia, and as he entered office Putin said: “We will not tolerate any humiliation to the national pride of Russians, or any threat to the integrity of the country.”

The degradation of Russia’s position represented by the Serbian War is what Putin was alluding to when he famously described the collapse of the Soviet Union as “the greatest geopolitical catastrophe of the century.” This statement is often misunderstood or mischaracterized: he did not mean by it any desire to return to Communism. But when Putin said he’d restore Russia’s strength, he meant it. He beat back the military advance of Islamist armies in Chechnya and Dagestan, and he took a hard line on terrorism—including a decision not to negotiate with hostage-takers, even in secret.

***

One theme runs through Russian foreign policy, and has for much of its history. There is no country, with the exception of Israel, that has a more dangerous frontier with the Islamic world. You would think that this would be the primary lens through which to view Russian conduct—a good place for the West to begin in trying to explain Russian behavior that, at first glance, does not have an obvious rationale. Yet agitation against Putin in the West has not focused on that at all. It has not focused on Russia’s intervention against ISIS in the war in Syria, or even on Russia’s harboring Edward Snowden, the fugitive leaker of U.S. intelligence secrets.

The two episodes of concerted outrage about Putin among Western progressives have both involved issues trivial to the world, but vital to the world of progressivism. The first came in 2014, when the Winter Olympics, which were to be held in Sochi, presented an opportunity to damage Russia economically. Most world leaders attended the games happily, from Mark Rutte (Netherlands) and Enrico Letta (Italy) to Xi Jinping (China) and Shinzo Abe (Japan). But three leaders—David Cameron of Britain, François Hollande of France, and Barack Obama of the United States—sent progressives in their respective countries into a frenzy over a short list of domestic causes. First, there was the jailed oil tycoon, Khodorkovsky; Putin released him before the Olympics began. Second, there were the young women who called themselves Pussy Riot, performance artists who were jailed for violating Russia’s blasphemy laws when they disrupted a religious service with obscene chants about God (translations were almost never shown on Western television); Putin also released them prior to the Olympics. Third, there was Russia’s Article 6.21, which was oddly described in the American press as a law against “so-called gay propaganda.” A more accurate translation of what the law forbids is promoting “non-traditional sexual relations to children.” Now, some Americans might wish that Russia took religion or homosexuality less seriously and still be struck by the fact that these are very local issues. There is something unbalanced about turning them into diplomatic incidents and issuing all kinds of threats because of them.

The second campaign against Putin has been the attempt by the outgoing Obama administration to cast doubt on the legitimacy of last November’s presidential election by implying that the Russian government somehow “hacked” it. This is an extraordinary episode in the history of manufacturing opinion. I certainly will not claim any independent expertise in cyber-espionage. But anyone who has read the public documentation on which the claims rest will find only speculation, arguments from authority, and attempts to make repetition do the work of logic.

In mid-December, the New York Times ran an article entitled “How Moscow Aimed a Perfect Weapon at the U.S. Election.” Most of the assertions in the piece came from unnamed administration sources and employees of CrowdStrike, the cybersecurity firm hired by the Democrats to investigate a hacked computer at the Democratic National Committee. They quote those who served on the DNC’s secret anti-hacking committee, including the party chairwoman, Debbie Wasserman Schultz, and the party lawyer, Michael Sussmann. Then a National Intelligence Council report that the government released in January showed the heart of the case: more than half of the report was devoted to complaints about the bias of RT, the Russian government’s international television network.

Again, we do not know what the intelligence agencies know. But there is no publicly available evidence to justify Arizona Senator John McCain’s calling what the Russians did “an act of war.” If there were, the discussion of the evidence would have continued into the Trump administration, rather than simply evaporating once it ceased to be useful as a political tool.

There were two other imaginary Putin scandals that proved to be nothing. In November, the Washington Post ran a blacklist of news organizations that had published “fake news” in the service of Putin, but the list turned out to have been compiled largely by a fly-by-night political activist group called PropOrNot, which had placed certain outlets on the list only because their views coincided with those of RT on given issues. Then in December, the Obama administration claimed to have found Russian computer code it melodramatically called “Grizzly Steppe” in the Vermont electrical grid. This made front-page headlines. But it was a mistake. The so-called Russian code could be bought commercially, and it was found, according to one journalist, “in a single laptop that was not connected to the electric grid.”

***

Democrats have gone to extraordinary lengths to discredit Putin. Why? There really is such a thing as a Zeitgeist or spirit of the times. A given issue will become a passion for all mankind, and certain men will stand as symbols of it. Half a century ago, for instance, the Zeitgeist was about colonial liberation. Think of Martin Luther King, traveling to Norway to collect his Nobel Peace Prize, stopping on the way in London to give a talk about South African apartheid. What did that have to do with him? Practically: Nothing. Symbolically: Everything. It was an opportunity to talk about the moral question of the day.

We have a different Zeitgeist today. Today it is sovereignty and self-determination that are driving passions in the West. The reason for this has a great deal to do with the way the Cold War conflict between the United States and Russia ended. In the 1980s, the two countries were great powers, yes; but at the same time they were constrained. The alliances they led were fractious. After the fall of the Berlin Wall, their fates diverged. The United States was offered the chance to lay out the rules of the world system, and accepted the offer with a vengeance. Russia was offered the role of submitting to that system.

Just how irreconcilable those roles are is seen in Russia’s conflict with Ukraine two years ago. According to the official United States account, Russia invaded its neighbor after a glorious revolution threw out a plutocracy. Russia then annexed Ukrainian naval bases in the Crimea. According to the Russian view, Ukraine’s democratically elected government was overthrown by an armed uprising backed by the United States. To prevent a hostile NATO from establishing its own naval base in the Black Sea, by this account, Russia had to take Crimea, which in any case is historically Russian territory. Both of these accounts are perfectly correct. It is just that one word can mean something different to Americans than it does to Russians. For instance, we say the Russians don’t believe in democracy. But as the great journalist and historian Walter Laqueur put it, “Most Russians have come to believe that democracy is what happened in their country between 1990 and 2000, and they do not want any more of it.”

The point with which I would like to conclude is this: we will get nowhere if we assume that Putin sees the world as we do. One of the more independent thinkers about Russia in Washington, D.C., is the Reaganite California congressman Dana Rohrabacher. I recall seeing him scolded at a dinner in Washington a few years ago. A fellow guest told him he should be ashamed, because Reagan would have idealistically stood up to Putin on human rights. Rohrabacher disagreed. Reagan’s gift  as a foreign policy thinker, he said, was not his idealism. It was his ability to set priorities, to see what constituted the biggest threat. Today’s biggest threat to the U.S. isn’t Vladimir Putin.

So why are people thinking about Putin as much as they do? Because he has become a symbol of national self-determination. Populist conservatives see him the way progressives once saw Fidel Castro, as the one person who says he won’t submit to the world that surrounds him. You didn’t have to be a Communist to appreciate the way Castro, whatever his excesses, was carving out a space of autonomy for his country.

In the same way, Putin’s conduct is bound to win sympathy even from some of Russia’s enemies, the ones who feel the international system is not delivering for them. Generally, if you like that system, you will consider Vladimir Putin a menace. If you don’t like it, you will have some sympathy for him. Putin has become a symbol of national sovereignty in its battle with globalism. That turns out to be the big battle of our times. As our last election shows, that’s true even here.

The Drug That Fuelled The Nazi Blitzkrieg

Pervitin And Nazi Drugs


Today's selection from When We Cease to Understand the World by Benjamín Labatut. The use of drugs in the last days of World War II:

"In a medical examination on the eve of the Nuremburg Trials, the doctors found the nails of Hermann Göring's fingers and toes stained a furious red, the consequence of his addiction to dihydrocodeine, an analgesic of which he took more than one hundred pills a day. William Burroughs described it as similar to heroin, twice as strong as codeine, but with a wired coke-like edge, so the North American doctors felt obliged to cure Göring of his dependency before allowing him to stand before the court. This was not easy. When the Allied forces caught him, the Nazi leader was dragging a suitcase with more than twenty thousand doses, practically all that remained of Germany's production of the drug at the end of the Second World War. His addiction was far from exceptional, for virtually everyone in the Wehrmacht received Pervitin as part of their rations, methamphetamine tablets that the troopers used to stay awake for weeks on end, fighting in a deranged state, alternating between manic furore and nightmarish stupor, with overexertion leading many to suffer attacks of irrepressible euphoria. 'An absolute silence reigns. Everything becomes alien and insignificant. I feel completely weightless, as if I were floating above my own airplane,' a Luftwaffe pilot wrote years later, as though he were recollecting the silent raptures of a beatific vision rather than the dog days of war.

"The German writer Heinrich Boll wrote letters to his family from the front asking them to send him additional doses: 'It's hard here,' he wrote to his parents on November 9, 1939, 'and I hope you understand if I can only write you every two or three days. Today I'm doing so chiefly to ask for more Pervitin ... I love you, Hein.' On May 20, 1940, he wrote them a long, impassioned letter that ended with the same request: 'Can you get hold of a bit more Pervitin for me, so I can have some in reserve?' Two months later, his parents received a single scraggly line: 'If at all possible, please mail me more Pervitin.' Amphetamines fuelled the unrelenting German Blitzkrieg and many soldiers suffered psychotic attacks as they felt the bitter tablets dissolve on their tongues. The Reich leadership, however, tasted something very different when the lightning war was extinguished by the firestorms of the Allied bombers, when the Russian winter froze the caterpillar tracks of their tanks and the Führer ordered everything of value within the Reich destroyed to leave nothing but scorched earth for the invading troops. Faced with utter defeat, staggered by the new horror they had called down upon the world, they chose a quick escape, biting down on cyanide capsules and choking to death on the sweet scent of almonds that the poison gives off.

"A wave of suicides swept through Germany in the final months of the war. In April 1945 alone, three thousand eight hundred people killed themselves in Berlin. The inhabitants of the small town of Demmin, to the north of the capital, some three hours away, fell prey to collective panic when the retreating German troops destroyed the bridges leading west, leaving them stranded on their peninsula, surrounded by three rivers and defenceless before the dreaded onslaught of the Red Army. Hundreds of men, women and children swallowing it: 'Doctors, potassium cyanide. I have tasted it. It burns the tongue and tastes acrid,' said the note found next to his body in the hotel room he had rented for the purpose of taking his own life. The liquid form of the poison, known in Germany as Blausäure or blue acid, is highly volatile: it boils at twenty-six degrees Celsius and gives off a slight aroma of almonds, which not everyone can distinguish, as doing so requires a gene absent in forty per cent of humanity. This evolutionary caprice makes it likely that a significant number of the Jews murdered with Zyklon B in Auschwitz-Birkenau, Majdanek and Mauthausen did not even notice the scent of cyanide filling the gas chambers, while others died smelling the same fragrance inhaled by the men who had organized their extermination as they bit down on their suicide capsules."

Odessa: Genius and Death in a City of Dreams

Battleship Potemkin
Vintage Potemkin.jpg


Today's selection -- from Odessa: Genius and Death in a City of Dreams by Charles King. At 27, Sergei Eisenstein developed the iconic silent film, Battleship Potemkin:

"Battleship Potemkin became one of his preeminent pieces and certainly one of the most copied works in film history. It was com­missioned by the Central Committee of the Communist Party of the Soviet Union for the twentieth anniversary of the 1905 revolu­tion, but by the time Eisenstein began the project, the end of the anniversary year was only a few months away. He and a vast team worked in Odessa and other parts of the Black Sea region for weeks, using the Hotel London as their base. To save time and money; they scraped together archival footage that could be used in place of new film, (The shots of tsarist ships steaming ominously toward the valiant mutineers are actually old images of the U.S. Navy on maneuvers, the giveaway being a small American flag visible in one scene.) In a mad rush at the end of the year, Eisenstein cut down some fifteen thousand meters of film into a running time of around seventy minutes. 'The fetters of space and the claws of time held our excessive and greedy fantasy in check,' he later wrote, surely with little inkling of the lasting success produced by just over three months of scenario writing, set design, shooting, and editing.

"What Eisenstein injected into the story was its single most memorable -- and in large part imaginary -- element: the slaughter on the Odessa steps. Eisenstein's genius was to place the steps at the center of his film, a scene that he called in his memoirs 'the very core of the film's organic substance and general structure.' Ranks of soldiers and Cossacks fire on the striking workers. When a Cossack strikes a woman across the face with his cavalry saber, we know exactly what has happened in that gruesome and shock­ing scene, even though the director never shows the sword mak­ing contact with her upturned face; the woman simply turns her gouged eye full-on to the camera. In the climactic sequence, a baby carriage teeters on the edge of the staircase then slides horrifically down the granite cataract.

A wide shot of the massacre on the Odessa Steps.

"In reality, there was no popular memory of a 'massacre on the steps' as the centerpiece of the violence of 1905. The major shoot­ing occurred elsewhere in the city and involved not only the mili­tary but also a whole series of self-protection units organized by city neighborhoods to guard against bandits and the inciters of pogroms. The idea for the scene may have come from an illus­tration of the staircase that Eisenstein found in a contemporary French magazine while doing background research for the film in Moscow. In Eisenstein's retelling, the single bloodiest event of 1905 -- the murder of hundreds of Jews -- faded into the back­ground. Through the film, Odessa was transformed from a place where Jews had been killed in the streets to a city remembered for working-class solidarity and opposition to the tsar's arbitrary rule. It was, to say the least, a heroic act of misremembering.

"When Soviet audiences viewed the silent film, they were wit­nessing the birth of their own country -- a revolutionary nation that looked back to the heroes and martyrs of 1905. By the time the film was released in 1925, the Soviet Union had succeeded the Russian Empire as the de facto ruler of much of the Black Sea coastline, including Odessa. Yet it was a country without a history. Its ideol­ogy proclaimed youth and rejection of the past as the hallmarks of a new social and political order. Even its founder -- Lenin -- lay dead, his legacy uncertain and a host of former courtiers now vying for power. The Potemkin mutiny, in Eisenstein's talented hands, became the Old Testament of the Bolshevik Revolution, a series of events that presaged the triumphant changes of October 1917.

"One of the last places Battleship Potemkin was shown was in Odessa itself. It had played at the Bolshoi Theatre and the First Sovkino Cinema in Moscow in December of 1925 and January of 1926, and when the American film stars Douglas Fairbanks and Mary Pickford saw it during a visit to the Soviet Union that sum­mer, they hastened its release abroad. Charlie Chaplin pronounced it the best film in the world. It soon played to packed houses in Atlantic City, New Jersey, before arriving in Odessa later in the year. The film had been taken for a dry documentary elsewhere in the Soviet Union and had been screened to half-full houses. But in Odessa it was an instant hit ...

"Battleship Potemkin is arguably the single most important cul­tural artifact in Odessa's modern history -- a piece of art that did more than any other to encapsulate the city's own image of itself and the way in which it would be remembered for generations to come. If portside hucksters and the mélange of East and West had impressed visitors for much of the nineteenth century, Eisenstein's staging of the Potemkin affair came to define the city in the twenti­eth. Eisenstein included all the basic elements of the incident that were passed down from the participants themselves, such as the crew's refusal to eat rancid meat as the impetus for the mutiny. But he added the heroic gloss that turned Odessa into the avant-garde of revolutionary change, providing a usable prehistory for the Bol­shevik Revolution and, by extension, for the new Soviet state."

Odessa: Genius and Death in a City of Dreams
 
author: Charles King  
title: Odessa: Genius and Death in a City of Dreams  
publisher: W.W. Norton & Company